BECK: I love that story you told me, it was the first time we met, we were talking about the remix project. And someone had done a cello piece of yours, and then when you went to go see it, you didn’t recognize it.
GLASS: It was Arthur Russell. And he was a very good cellist. I was doing a theater piece for the Mabou Mines, it was some Beckett piece, and I wrote him a cello piece, and he liked the work and was playing it. And I came back about three months later, and I heard it and I said, ‘Arthur, that’s beautiful, but what happened to the piece?’ And he said, ‘No, no, that is what you wrote,’ and I said, ‘Arthur, it’s no longer what I wrote, it’s your piece now.’ And he thought I was being upset, he apologized and I said, ‘No, no, no, I think we should put you down as the composer.’ He had reached the point of transformation. The incremental changes had turned it into this other thing. I love the fact that he did that. And I love the fact that he didn’t know that he did it.